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Royal Opera House, where Flight Pattern premiered
Royal Opera House, where Flight Pattern premiered

Flight Pattern is a contemporary ballet choreographed by Crystal Pite, set to the first movement of Henryk Górecki's Symphony No. 3. It premiered at the Royal Opera House (pictured) in London on 16 March 2017, making Pite the first woman to choreograph for the Royal Ballet's main stage in 18 years. The ballet won the Laurence Olivier Award for Best New Dance Production in 2018. Flight Pattern examines the plight of refugees, drawing inspiration from 20th and 21st-century events, particularly the refugee crisis caused by the Syrian civil war. The ballet starts with 36 dancers performing on stage and transitions to a series of duets and solos originated by the dancers Marcelino Sambé and Kristen McNally. The piece was mostly positively reviewed by critics, with many praising the performance of the two soloists and the choreography of the ensemble. In 2022, Pite expanded the ballet into Light of Passage, with Flight Pattern becoming the first part of the ballet. (Full article...)

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Cap badge of the Royal Welch Fusiliers
Cap badge of the Royal Welch Fusiliers
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Mark Carney in 2015
Mark Carney

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Petrosedum sediforme
Petrosedum sediforme
Phaistos Disc
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  • Side A of the Phaistos Disc
    Side A
  • Side B of the Phaistos Disc
    Side B

The Phaistos Disc is a disc of fired clay from the Greek island of Crete, dating possibly from the middle or late Minoan Bronze Age (second millennium BC). It bears a text on both sides in an unknown script and language, and its purpose and original place of manufacture remain disputed. Discovered in 1908 by the Italian archaeologist Luigi Pernier, the disc is made of fine-grained clay, intentionally and properly fired, and is approximately cylindrical with a diameter of around 16 centimetres (6.3 inches) and a thickness of almost 2 centimetres (0.79 inches), with rounded edges. The disc is an early example of movable-type printing, with the embossed signs that comprise its inscription resulting from separate stamps that were pressed into the soft clay before firing. It has captured the imagination of amateur and professional palaeographers, and many attempts have been made to decipher the text, which comprises 241 occurrences of 45 distinct signs. The Phaistos Disc is now on display at the Heraklion Archaeological Museum on Crete.Artefact credit: unknown; photographed by C messier; edited by Bammesk

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